{"id":91,"date":"2026-09-09T21:17:08","date_gmt":"2026-09-09T21:17:08","guid":{"rendered":"https:\/\/gioveshortfilmfestival.it\/wp\/?page_id=91"},"modified":"2026-09-26T14:04:32","modified_gmt":"2026-09-26T14:04:32","slug":"percorso","status":"publish","type":"page","link":"https:\/\/www.gioveshortfilmfestival.it\/en\/path\/","title":{"rendered":"Il percorso: tra l’analogico e l’IA"},"content":{"rendered":"

The thematic path of this first edition is a real "retrospective on the future", which we imagined suspended between theanalog<\/strong> and theartificial intelligence<\/strong>.<\/p>\n\n\n\n

It begins with a reflection on the time of cinema, on the transformations it is undergoing and which we will eventually discover also concern our habits and our daily lives.<\/p>\n\n\n\n

Starting from analog world<\/strong> of the film, from the artisan gesture, from the cinematographic material, from the light impressed on the celluloid we arrive at theartificial intelligence<\/strong> (AI) and the tools with which new generations are already experimenting with new ways of imagining and telling stories.<\/p>\n\n\n\n

But if analog tools have given way (although not yet completely) first to digital ones and then to AI, could the same fate befall the entire creative process?<\/p>\n\n\n\n

And what relationship does writing, which in cinema is the basis of plots and screenplays, already have and will have with AI?<\/p>\n\n\n\n

Will the relationships themselves develop like in a visionary Asimov novel?<\/p>\n\n\n\n

What are the points of view of the various generations, from the "digital natives" to the analogue ones, in a world where communication is increasingly dictated by the rhythms of the influencer<\/strong>?<\/p>\n\n\n\n

And the same slow pace<\/strong> How can villages and territories full of history and beauty be preserved in an increasingly fast-paced reality that travels at the rate of hundreds of megabytes per second?<\/p>\n\n\n\n

These are all open-ended questions that will require an equally open discussion: experts<\/strong>, authors<\/strong>, operators<\/strong> and above all young<\/strong> who are experimenting with AI as a possible creative language will meet to discuss, question, and exchange ideas without prejudice.<\/p>\n\n\n\n

But be careful: this journey isn't intended to pit past and future against each other. Rather, it's about understanding how cinema can transform without losing its essence: that of being a tool for narrating the world, interpreting it, and imagining new ones. Because cinema isn't afraid of change; it transcends it and is a fundamental part of it.<\/p>\n\n\n\n

What are the points of view of the various generations, from the "digital natives" to the analogue ones, in a world where communication is increasingly dictated by the rhythms of the influencer<\/strong>?<\/p>\n\n\n\n

And the same slow pace<\/strong> How can villages and territories full of history and beauty be preserved in an increasingly fast-paced reality that travels at the rate of hundreds of megabytes per second?<\/p>\n\n\n\n

These are all open-ended questions that will require an equally open discussion: experts<\/strong>, authors<\/strong>, operators<\/strong> and above all young<\/strong> who are experimenting with AI as a possible creative language will meet to discuss, question, and exchange ideas without prejudice.<\/p>\n\n\n\n

But be careful: this journey isn't intended to pit past and future against each other. Rather, it's about understanding how cinema can transform without losing its essence: that of being a tool for narrating the world, interpreting it, and imagining new ones. Because cinema isn't afraid of change; it transcends it and is a fundamental part of it.<\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

The thematic path of this first edition is a true "retrospective on the future," which we imagined suspended between [\u2026]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"pagelayer_contact_templates":[],"_pagelayer_content":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-91","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/pages\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":2,"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/pages\/91\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/pages\/91\/revisions\/294"}],"wp:attachment":[{"href":"https:\/\/www.gioveshortfilmfestival.it\/en\/wp-json\/wp\/v2\/media?parent=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}